Warner Bros' Sherlock Holmes is one of the films available free during the Full Stream Ahead anti-piracy campagn. Photograph: Alex Bailey
Movie fans are being given the chance to watch their choice of blockbusters at home for nothing, as a host of Hollywood studios team up with UK-based technology firm Blinkbox to run a week-long free streaming service in an effort to lure internet users away from pirated material.
As part of the "Full Stream Ahead" campaign, which is backed by the UK Film Council and BFI, and launches tomorrow, anyone accessing the Blinkbox website from fullstreamahead.co.uk will be offered £20 credit to spend on films from studios including Paramount, Sony Pictures, Universal, 20th Century Fox and Warner Bros. Titles include Avatar, Sherlock Holmes and Up in the Air.
Users will be able to stream their choices over the internet and watch them on their computer or – if they have the right cables – on their television.
Music streaming services such as Spotify have proved a hit, helping to arrest some of the piracy that has affected that industry. The film studios are hoping video streaming services will do a similar job, attracting people who may otherwise succumb to unlawful filesharing networks. Many British consumers already use catch-up TV streaming services such as the BBC iPlayer, 4OD and the ITV Player.
"We are doing it much earlier," says Michael Comish, chief executive and co-founder of Blinkbox. "By the time the music industry enabled strong and good-quality legal [streaming] services it was arguably too late. We are in the early days of digital retail for movies, and our ambition is to make people aware of the benefits of streaming services before it is too late."
Research by Global Web Index last year showed that web users were turning to unlawful filesharing sites because the content they wanted was not easily available elsewhere. The survey showed that 45% of filesharers said they would consume films legally if the technology allowed them.
Previously unpublished findings by Trendstream, the UK-based consultancy, show that 28% of those using peer-to-peer filesharing to view unauthorised content do so because it offers instant access. The movie industry hopes that streaming services, which offer similar access, may bring these people back into the fold.
Blinkbox, backed by venture capital firms Eden Ventures, Nordic Venture Partners and Arts Alliance, already has more than 1.2 million users a month, who between them watch about 5m streams per month. While it does not stream content in high-definition, Comish, the former head of new media at Channel 4, said picture quality was good on the average residential broadband line - which runs at between 3Mb and 4Mb per second - while anyone with a slower connection can reduce the file size that they are viewing in order to get a reliable service.
"If millions of people take up this offer, yes, it is going to cost us a lot of money," he said. "But the cost of not doing it is far larger. If we do not make people aware that there is good-quality streaming video available, then we will hit a tipping point in online piracy."
http://www.guardian.co.uk/media/2010/may/23/apple-ipad-surrogate-digital-newspaper#start-of-comments
Salvation arrives next week as the iPad goes on sale in Britain – and Mr Rupert Murdoch, no less, sets it high among his pantheon of technical wonders that may rescue newspapers from oblivion. Meanwhile, a recent blog from Professor Roy Greenslade at City University poses a plangent question: Would Murdoch have spent £650m on a printing plant if the iPad had been around?
Salvation arrives next week as the iPad goes on sale in Britain – and Mr Rupert Murdoch, no less, sets it high among his pantheon of technical wonders that may rescue newspapers from oblivion. Meanwhile, a recent blog from Professor Roy Greenslade at City University poses a plangent question: Would Murdoch have spent £650m on a printing plant if the iPad had been around?There are two answers, and both stretch way beyond touting yet another Apple product that may, or may not, revolutionise the media world – in this case a portable touch-screen computer that didn't exist when News International had finished building its new colour presses two years ago.
The first answer majors on simple maths and draws on some heavy figuring by Benedict Evans of Enders Analysis. How many national UK newspapers are sold each day? he asks. Say, 10m. And how many iPads – at £429 and up – will be bought in Britain over the next three years? Somewhere between 1m and 3.6m, depending on a myriad of unpredictable factors.
But how many of those purchasers will actually use their machines for news-reading purposes? And how many of them will then pay for that privilege in any case? Evans, straining every sinew, reckons total revenue, at best, would end up in the £200m to £250m range – and that's before Apple takes its 30%. Set that against the £1.2bn in revenue brought in by quality newspapers through 2008, or the £1.9bn raised by our mass-market tabloids, and what have you got? A trickle of cash that may help a little but won't truly change anything.
We're talking bits and bobs, not salvation. Add in similar calculations for iPhone life and the answer is still the same. The iThis and the iThat are useful, often fascinating, tools. But even if they'd been invented when Mr Murdoch found his green field in Broxbourne, he'd still have needed his giant presses, speeding lorries and full-colour units. There wasn't a big enough alternative revenue stream in prospect then and there still isn't today.
But any second answer goes beyond immediate profit and loss. It deals, crucially, in concepts. It wonders, for starters, what an iPad is.
Evans begins to round out a definition here: "The iPad is not just a news device – it is a multipurpose device." And increasing American testimony, once the rush of a million units bought in the first month begins to abate, supports that broader conclusion.
Alan Mutter, a respected new media consultant and blogger, found thatthe three most highly rated news apps came from France 24, the BBC and National Public Radio. In short, from broadcasters who could spice their offering with large (free) helpings of video and graphics. These broadcasting companies left newspaper apps from USA Today, the New York Times et al far behind on satisfaction scales (and news companies who charged for their apps, such as Time magazine, at $4.99 a week, were right out of the hunt).
Chuck Hollis, an influential marketing blogger, bought his first iPad the other day and found his wife and kids commandeering it immediately. Within hours his wife was sitting on the back porch with a long drink, playing with the photo app and sending long overdue pictures to friends. Within half a day his kids, home from school, were squabbling over who could have first turn.
"And then my wife asserted her rightful place in the hierarchy later that evening when she took it up to the bedroom while watching TV. Tap, tap, tap. Occasionally she showed me something interesting she'd found online – and smiled."
Which exactly chimes with one non-blogging New York family I quizzed. The wife lies in bed before sleeping (or breakfast) with iPad primed. The children take it to their rooms and squat with it on the floor. They use it for entertainment and diversion, for games, for socialising, for watching and browsing. They do not see it as a news medium. Least of all – following rather lumpen press logic – do they treat it as a sort of news magazine because it shows you a page the rough size of a magazine.
The iPad – plus heirs and successors, perhaps – isn't some surrogate digital newspaper waiting to rescue Fleet Street. It's different, with a different appeal. It will surely a find a money-coining slot in the digital spectrum. But salvation? That's something else (even before your wife goes upstairs to bed).
■ More digital drama. Project Canvas, the BBC platform carrying video on demand for competing partners right across the Freeview world, has Office of Fair Trading approval, provisional BBC Trust approval and will surely have viewer approval, too. There's no BSkyB or Virgin block paywall to clamber over. You'll be able to get (and pay for) what you want, when you want it.
Is everybody happy? By no means. Richard Branson – one industry titan who backed Cameron's cuts schedule pre-election – is unhappy. The Murdoch père et fils are bound to be miffed, too. This isn't quite what they'd hoped for from a Conservative government. But then, in the wonderful way of partnerships, this isn't a really Conservative government at all – with policies on demand.
